Sometimes
I think that every perfume review should be preceded by a disclaimer, saying
something like “How a scent is perceived is subjective and what is one person’s
love may be the next person’s hate”.
That is true not just for perfumes but for smells in general. I, for
example, can’t stand the smell of bananas. Just the thought of them makes me fell a bit queasy. I got train sick
on a very hot train journey when I was quite a small child and I still remember
vividly how horribly sick I felt and opposite me, another girl was eating
bananas and since then the smell of this rather innocent fruit, reminds me of
feeling nauseous.
I
didn’t like all the perfumes I tried from Goest, but that don’t mean that they are
bad perfumes. My overall view on the perfumes is that they are all interesting
and well blended. They were also all very true to their description, which isn’t
always the case with perfumes. Though I had read the descriptions when I purchased
them, I didn’t re-read them until I had actually tried them, but I found that
my impression was quite close to the descriptions.
Dauphine
Divinely innocent, incandescently
pretty.
Inspired by the redolent imageries of Sophia Coppola's film 'Marie Antoinette',
Dauphine is a clean, ideal, fresh skin scent, pink and cream and white all
over. This scent has notes of pink, full blown rose; milky, fresh, sweet
almond; and a reveille of innocent, airy musks. This scent is sweet, but not in
a lurid, hard-candy-way; it's sweet like fresh, cream-filled, rosewater-scented
pastries.
Innocent, but not immature; quiet, never cloying: this charming and refined
scent is superlatively, incandescently, and, quite simply, very, very pretty.
Notes: Muscs, Almond, Roses, Cream
Aspects: Fresh, Gourmand, Ambrosial, Refined
Upon application I got roses and almonds at first whiff, with, yes, a hint of soap. The
almond and soap disappeared quickly though, and I got roses and musk, with time
the rose faded more and more, leaving just a trace with the musk. It really
smells just as it is advertised, creamy, clean roses that are sweet but not
cloying.
This perfume
gave me the biggest surprise of all the Goest perfumes, because I don’t like
perfumes smelling of roses. It’s not that I don’t like the smell, I do, and I
can like rose perfumes when other people wear it, but it never feel like me,
when I wear it. So I was hugely surprised when I not only liked Dauphine, but
that I like it a lot. In fact, next to Silent Film, this is my favourite!
There is something in it; I believe it may be the musk, which tugs at a memory
and a good one too. I get a little tug in my heart every time I smell it, but I can’t
for my life recall what it is I’m reminded of. Nevertheless, I love this!,
Grand Tour
Sport, spirit, and straight-out
polish.
Grand Tour makes an excellent first impression, opening with a burst of
traditional aromatic herbs and five delicious citrus fruits. As it wears, the excitement
at the heart of this scent is revealed: fresh and pure sweet basil and a
smooth, abstracted cedar note combine for a distinctive and energetic spiciness
that revs at 4000 RPM. This effect is backed by a foundation of well-tanned
leathers and elegant oakmoss for a long-wearing and sensual yet subtle sillage.
Although the classic structure of Grand Tour alludes to great bygone masculine
fragrances, this scent's not just for the boys. On women, it's incredibly sexy
- think a well-heeled, natural woman in a crisp men's white oxford shirt.
Fresh and invigorating for day, sensual and elegant for night: man or woman,
Grand Tour is built to be your constant signature.
Notes: Woods, Tanned Leather, Oakmoss, Herbs, Citrus
Aspects: Vigorous, Adventuresome, Neat
Most of Goest perfumes
can be worn by men and women, but this is the only one that really feels like a
men’s perfume to me. The fist impression isn’t any notes in particular, but
just men’s cologne. Not in a bad way at all, but just masculine. After a while
I can detect the oakmoss and there is a faint citrus somewhere behind that.
After several hours it is leather and herbs. I like it; it is perfectly
wearable for a woman as well and feels very fresh.
Jackal
Mad, bad, and dangerous to know.
Jackal opens with the scent of dry, powdered chocolate tempered with a hint of
beckoning, mouthwatering vanilla. As it settles into the skin, the most darkly
charismatic side of patchouli appears, cloaked in a multifaceted, sensual
smokiness of many associations: the sweet, swooning scent of toasted tobacco -
the bitter, magnetic smell of money - faraway fires in the woods.
This bottomless scent is the epitome of the anti-perfume. Though it has an
original glamour, it is not the cosmetic powder-cloud of classic scents of
fashion; and though it is natural and earthy, it has nothing of the biting,
traditional terpenes of the hitchhiker's tonic. Jackal's essential effect is
that of your own skin, only sexier; it is the essential effect of you, made
simply more magnetic. Jackal wears very close to the skin and easily enhances
other perfumes.
To all sensual men and women: where will you end, and Jackal begin?
Notes: Sweet Smoke, Dirt, Bitter Chocolate
Aspects: Earthy, Animalic, Dark, Vast
Jackal was all
chocolate when I first applied it, with an interesting earthy quality. I was,
however, not sure if I liked it and then J came into sniffing distance and had
a very dramatic reaction on it. Now, J is interested in perfume all by his own
and has a nice collection himself, so he is definitely not anti-perfume. This
one he disliked intensely, though and I think it may have biased me a bit as
well- I do prefer J to think I smell nice. But there is also the matter of that
earthiness that soon revealed itself as patchouli. My body amps patchouli and
most perfumes that have that note ends up smelling just patchouli on me. And though
it isn’t a bad scent, my paternal grandmother wore a perfume where it was a
prominent note. So even if I didn’t dislike Jackal, it truly wasn’t a perfume
for me. If you like chocolate and patchouli, though, then I think you have a
hit.
Lartigue
A little bottle of precious sun,
swim, and sail.
Lartigue opens up on the skin with a bright, airy, and succulent show of
abstract fruits and superfresh citrus. It progresses to reveal a green, clean,
and joyous heart backed by a base of watery woods and clean earth. Inspired by
the beatific and eternal Riviera portrayed in the images of 20th-century master
photographer Jacques Henri Lartigue, this Goest scent celebrates all in life
that is liberated, enthusiastic, and on-the-spot.
Forget what you know about usual "sport" scents, those brash and
metallic colognes that are the olfactory equivalent of shoulder armor, spandex,
and a helmet. Lartigue, by happy contrast, is modern, clean, and elegant, and
cuts a handsome figure clothed in pristine tennis whites.
(And, in the true spirit of modernity, this scent is great for both men and
women.)
Notes: Woods, Peach, Citrus, Sun, Air
Aspects: Succulent, Bright, Modern, Fresh
This perfume
opens up with a blast of lemon on me, and there it stays. I can’t detect
anything else and it fades very quickly on me, after an hour it is gone. It’s
very nice as long as it lasts, though. A very good scent for a hot day, as the
feeling of it is so cool and light.
Realism
A green tableau in four dimensions: bring the
outdoors in.
Realism opens with a buzzing, resinous green swell of grasses, herbs, and
blossoms giving off their freshness in the heat of the sun. Supported by damp
petals and black soil, the soft and expansive smell of crushed stems from a
fruit tree fills the heart of this scent, breathing a sublime greenspace for
hours. In the drydown, a sleepy accord of ultraprecious hay absolute and quiet
cedar.
It's Realism, but more than that. Its realism isn't that of a bookplate from a
botany book, but that of one of Courbet's tableaus, if it unfolded in
three--actually, four--dimensions.
Unisex, and no less gorgeous for it.
Notes: A Crushed Stem, Soil, Herbs, Hay, Citrus
Aspects: Green, Sunshot, and Blooming
If Lartigue was
a blast of lemon, Realism is a blast of freshly cut grass. This is truly a
really green scent and it reminds me, though I have yet to smell them side by
side, of vintage Vent Vert from Balmain. That is a very good thing in my book-
I love Vent Vert. I get the same feeling of it as I got from Lartigue, a scent
for a hot day, but Realism also have staying power. The dry down gets just
drier, the grass turns into hay and you can detect the cedar. Unusual and
lovely.
I am very happy
that I tried Goest, I think the quality match the bottles and advertisement. I
really want a bigger bottle of Silent Film, and I want more of Dauphine, Grand
Tour and Realism as well. I would also try any new perfumes they may present in
the future.