Tabac Blond and reformulating perfumes

Tabac Blond was actually the first vintage perfume I tried and it was love at first smell. Looking at the notes it was not a perfume I expected to suit me, even if carnation and ambergris usually work well on me. Patchouli, however, usually have the dreaded “old lady” smell for me and I felt very, very unsure of the leather

Top notes: leather, linden, carnation
Heart notes: iris, vetiver, ylang ylang
Base notes: cedar, patchouli, vanilla, ambergris, musk

I’m not a smoker and I don’t like the smell of it, but tobacco does smells different from smoke. When I was a child my grandmother had an antique snuff box in silver and her brother once filled it with tobacco. Probably to tease his big sister as she was vehemently against smoking, but the tobacco stayed put and over the years it dried and the scent grow fainter. I remember opening that box and sniff at times, it smelled so nice, somehow. The first whiff of Caron’s Tabac Blond reminds me of that smell and it smells lovely. It may sound like a paradox, but it’s true. It evolves into a lovely spicy scent that is a little bit naughty- sexy, but rather quiet about it. Of the leather I detect nothing much, a mere whiff, , but when the patchouli arrives in the dry down it plays nicely and smells divine. Finally a patchouli scent I can wear! Oh, I love Tabac Blond.

Green felt hat

Here it is, the green felt hat in action. I am very pleased with it, despite all the problems I had when I made it. One thing I noticed when wearing it that the elastic did nothing to keep the hat on. It just slid on my hair- I guess it would work better if I had had my hair down. Luckily I inherited a few hat pins from my grandmother, so I used one of those to keep the hat in place. Much more becoming than elastic anyway.

An illustrated guide for making Vintage Vogue V7464, hat B, part 2

The second and last part. The first one can be seen here.

There are actually no markings on D to tell where you are supposed to attach it, but trust me, it is supposed to wrap around the gathered bit on B. The instructions said to stitch it to the inside first, but I did it the other way around, as I found it easier to place. Just stitch it down at the ends.

An illustrated guide for making Vintage Vogue V7464, hat B, part 1

Due to all the images I break this guide up in two parts. I hope you will find it helpful. Now when I know all the steps, the hat isn't so hard to sew- I just wish I had known them before I started...

It’s meant to compliment the original instructions, so you need those too to get all the information you need. I made my hat in green wool felt that probably is a bit on the thin side. I starched it heavily before I started to sew and I think it will hold up well enough, as long as I don't get it wet. I used ordinary heavy wire when I made it, but have since found my millinery wire in a box where it wasn’t supposed to be and replaced it.

Here are all the parts cut and thread traced. I really recommend you to thread trace here. It doesn’t take long and you need to be able to see the marks on both sides. Pattern piece A is the front and the curved end is the one that curves down toward the face when you wear it. And though it wasn’t clear to me when I started, the opposite, pointy, end is one part of the “bow” on the finished hat.

A review on Vintage Vogue V7464, hat B

This review is solely for hat B, not any of the other hats you get when you purchase this pattern. I have not tried to make the other hats and have no idea if the instructions for them are good or bad.

Before I started this hat I had heard a lot on how bad the instructions were for it. I decided to give it a try anyway, as it is a cool hat. Unfortunately every bad thing I have heard proved to be true. The instruction for this hat is the worst I have ever encountered. For a start, the black and white drawing seems to be of a completely different hat. You get no help for figuring the pattern out by looking at that, so don’t. There are two nice photos of the finished hat, but they are both from the front. As the hat is asymmetrical it would have helped if there had been a back view as well.

Yellow and white skirt

I’m back from my vacation and a very good vacation it was. I have spent a lot of time in my family’s summerhouse, swum in the sea, spent time with family and friends, hosted a cocktail party and generally had a good time. I have sewn a little too, but not as much as I had hoped. I did finish my green hat after much gnashing of my teeth and have started on a brown felt hat and I have made a white washable dress. I also renovated my grandmother’s skirt that I mentioned in an earlier post.

My grandmother's portrait

In 1949 when my grandmother Greta was 36, she and my grandfather rented a cottage for vacation. The cottage next door was rented by an artist who, at the time, was quite in when it comes to portrait painting. He is quite forgotten now and I have plain forgotten his name, I'm sorry to say. The families became quite friendly and my grandmother asked him if he could paint my Mum. Being sensible he declined- my Mum was three at the time and only an insane person would do that, I think. Instead he offered to paint my grandmother, free of charge, because he loved her colouring. The only thing he wanted was to paint a second portrait that he could sell. That never happened, but this lovely portrait of my grandmother was completed.